30 days to go: our 1st rehearshal

We met today for the 1st time in a long time. I can report that my dignity is intact. I knew all the tunes by heart except for, I think, two. And the leader will let me choose the tunes for the gig. Therefore, I will be able to play without music. This is a big deal because, to an audience, it demonstrates my commitment to their event. They won't care if the music is simple, they just want to enjoy it. I'm with Duke Ellington who said something to the effect that a wise musician plays within their means. 

So, did the practice regime pay off?

You betcha!

• The broken chord inversions were the backbone of my solos. I found that I could easily use them as upper structures as well. 
• Knowing the fills and intros of the tunes, from teaching them all day, elevated the presentation. 
• The rootless voicings worked well, however in some styles I played the 7th chords with roots. Comping all the chords in "rhythm changes" is a work in process. 
• Practicing my technical regime musically and methodically saved the day. Why? Because it made my simple playing sound musical. 

Today's video.
This video outlines tactics to succeed as a jazz musician. 
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1. Listen to the greats!
2. Imitate them, because one should get good before one seeks originality." Originality without skill is an artistic tragedy. 
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Quincy's  ideas transcend the drum kit. Try substituting piano or bass every time he mentions the drums. 

Cheers, 

David