![]() Life gets in the way. We are still unpacking from our move, and we are organizing my parents' affairs and home for sale now that they are in care. Practice was/is in the ditch. But... Today I got an hour in. 1. Rick Dior warmup on snare drum. 2. One snare drum etude to 80BPM. This is an improvement. A few months ago, I could get them to 70 BPM in the same brief time. 3. I worked on my triplets on the bass drum. By keeping relaxed I was able to hear improvement. 4. Jazz warmup for mallets: 12, 2 octave major scales, 60 broken jazz chords in 1st inversion. 5. Played "Ain't Misbehavin' in a number of keys. 5. Rootless 4 note voicings in a few minor keys. 6. Reviewed a few standards.
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We moved house last week. That devoured all my practice time and physical energies. But, the studio is up and running and it is back to practicing.
This weekends activities:
David What an exciting experience. Did all the preparations pay off? You bet.
Our trio is now a quartet with the addition of a drummer. The final lineup is: malletkat, guitar, bass, drumset. The music: jazz standards. Two hours playing together is worth a week practicing alone playing with YouTube videos. I needed one. But I did spend drive time listening to music where I learned there was/is such a thing as jazz marimba. Listening to this album took me back 60 years and shopping with my mother at the supermarket. Click if you dare. It is drumkit day with the Kerr Street Big band. Even after 2 years with them, I'm still sight reading half the music. My practice regime, besides the Big band, consisted of listening to big band music in the car on the way to practice. The link is below. What the keys to being a good sight reader?
My mallet practice consisted of major scales and broken chords, followed by voice leading through some tunes and then playing along with Emmett Cohen's version of Duke Ellington's Satin Doll. I started with the Dior warmup and then worked up this etude from "The All-American Drummer." At my current rate, I'll be done the book by the end of summer. I've been doing Rick's warmup virtually everyday for 18+months. Both my colleagues and I can hear the difference in my control, touch and confidence. If you haven't had lessons with Rick yet, I highly recommend it. This afternoon I will spend time working on my bass drum work, the problem child. Mallet warmup.
1. 12 major scales in 16ths quarter=70 2. 12 harmonic minor scales in 16ths quarter=70 3. Practice vibraphone key muting. 4. 60 broken jazz chord 2 octave arpeggios, in 16ths quarter=70. 5. minor ii V i rootless chord progressions. 6. Practice playing "Blue Skies" in various keys. My drum set practice routine.
I completed my jazz warmup ritual and then I dug into Rusty Burge's rootless chord strategy. Step 1: play 3rd/7th or 7th/3rd in the left hand with 2 mallets. Step 2: add 9ths and 5th or altered tones above with the other 2 mallets. Then I spent some times playing standards from memory. Now I'm off to the drum kit. |
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